| Question, direction, approval | The channel's creator (one person) | Chose this topic; set the rule that real data should be used where it exists; approved the key decisions — switching the map to NASA's grid and grouping the pins by the grid cell at each location (2026-10-04), music played on GarageBand instruments and the series jingle (2026-10-04), the two voices (2026-10-05), the age-dial formula and its labelling exception (2026-10-06), the titles and the thumbnail wording (2026-10-07); decided to make all seven other languages with our own voices, set the overall loudness, and left the final check of the translations to the AI team (2026-10-07); asked for the Chinese voices to be remade to sound like native Mandarin speakers (2026-10-08); watched the full cuts v4, v5, v7 and v8 and gave notes; chose the character poses and fixes. | — |
| Research and fact ledger | AI agents | Found and read the sources and recorded in the fact ledger how much of each was read (full text, abstract, secondary). | Claude (Claude Code) |
| Script (Japanese master) | AI agents, with the creator's notes | Written and revised by AI agents, tested with LLM readers given no context, then revised again. The creator gave notes; the wording of 10.04 and 12.08 and the framing of 10.05 follow the creator's suggestions. | Claude |
| Fact checks | AI agents | Repeated fact-check passes compared the script with the fact ledger. | Claude |
| Translations (English, French, Italian, German, Spanish, Chinese in simplified and traditional characters, Korean) | AI agents, with the creator's go-ahead | Each language was translated scene by scene from the Japanese master by an AI agent, following a written style guide, notes on how each character speaks, a glossary of 86 terms, and the context and time limit of every line. In the first review round, two more AI agents checked each translation: one read it straight through as a native speaker would, without seeing the Japanese; the other compared it with the Japanese line by line. Two further rounds checked the revised lines and the lines around them. Lines were revised between rounds. The translations have not yet been checked by human native speakers. If you speak one of these languages and a line sounds wrong or unnatural, please tell us in the comments under the video; corrections that change the meaning are listed under Corrections. | Claude (Claude Code) |
| Character art | AI image generation, edited by script; selected by the creator | Poses were generated as sheets, cut out, and fixed with deterministic pixel-editing scripts. | Astra (gpt-6-astra), run through codex exec |
| Boards, room, animation | Code written by AI agents | The paper-style boards and all motion are drawn by code (JavaScript, Canvas 2D; the room with three.js), recorded in headless Chrome and encoded with ffmpeg. No image generation was used for the boards. | Claude; headless Chrome; ffmpeg |
| Data processing | Code written by AI agents | Method M1–M3. | Python (standard library); Node.js |
| Music | Score by an AI agent; Apple instruments; mixed by script | The score was written as MIDI by an AI agent and played on GarageBand's built-in instruments (Classic Electric Piano, Marimba, Steinway Grand Piano, Upright Studio Bass, String Ensemble, Classic Analog Pad, Clarinet Solo, the SoCal drum kit, Vibraphone, Harp), with GarageBand operated by an AI agent; the stems were mixed by script. The creator chose the series jingle. The GarageBand license (section 2G) lets users use its built-in instruments, samples and loops royalty-free to create their own soundtracks for video and audio projects, and to broadcast and distribute those soundtracks, but not to redistribute the sounds on their own; the score is our own composition (license text checked 2026-10-08, GarageBand 10.4.13). | Claude (Opus 5.5); GarageBand; mido |
| Voices, Japanese track | Synthetic | Two voices designed from text prompts (ElevenLabs voice design, eleven_ttv_v3); the lines were generated with Eleven v4 and checked for misreadings with ElevenLabs speech-to-text; the creator chose the voices by listening. | ElevenLabs |
| Voices, English and the six other dubbed tracks | Synthetic | English is the video's original audio track; French, Italian, German, Spanish, Chinese and Korean are extra audio tracks on the same video. The lines were generated with Eleven v4 in the same two character voices as the Japanese track. For Chinese, the creator asked for voices that sound like native Mandarin speakers: we made a Mandarin-speaking version of each character voice with ElevenLabs Voice Remix (changing only the language and accent). Two or three takes of every line were generated; the take was chosen with ElevenLabs speech-to-text (checking for misread words) and by fit to the timing, and each line was placed at the start of the matching Japanese line, with the same picture, music and sound effects in every language. Every track is mixed with the same gain, so the music and sound effects are identical in every language; overall loudness is about −14 LUFS. | ElevenLabs |
| Subtitles | Code | Nine subtitle tracks (Japanese, English, French, Italian, German, Spanish, Chinese simplified, Chinese traditional, Korean), generated by code from each language's spoken lines and timed to the placed voices. Subtitles are separate tracks and are not burned into the picture. | — |
| Text on screen | Code | The few words on screen use typefaces that come with macOS: Futura (numbers, stamps, tabs, name tags), Gill Sans (romanized readings, source cards) and Tsukushi B Round Gothic (Japanese words). The macOS license (macOS Tahoe 26, section 2E) lets users use the included fonts to display and print content while running macOS; the text is drawn into the video frames on our Mac, and no font files are embedded or shared (license text checked 2026-10-08). | — |
| Sound effects | Stock sound library | 効果音ラボ (soundeffect-lab.info) and 効果音辞典 (sounddictionary.info): commercial YouTube use allowed, credit optional, no redistribution (terms checked 2026-10-03); trimmed and mixed by script. The room tone and the clock are synthesized. | — |